Label and studio

MOTA releases and catalog work

Release candidates, studio materials, and clear links between artists, video, and the distribution pathway.

Artist, label producer, and rights manager reviewing artwork, metadata, splits, and a release plan

Catalog in preparation

Releases and studio work

The cards below describe materials currently being prepared. They do not present a release as published until the final master, metadata, identifiers, artwork, public links, and rights basis have been confirmed.

Preparing for releaseWorking release card: VNDTZ — В лето

VNDTZ — “В лето”

An audio master candidate and embedded artwork were found. Lossless audio, metadata, identifiers, release date, and the rights basis remain to be confirmed before release.

Preparing for releaseWorking release card: onji, 3022, D.Rector — @RABOTA

onji, 3022, D.Rector — “@RABOTA”

A working audio master and related video are available. Tag conflicts, lossless audio, metadata, identifiers, and the delivery package remain under review.

Preparing for releaseWorking release card: КАРТИНА РЭПИНА — Дебаты

КАРТИНА РЭПИНА — “Дебаты”

A 24-bit/44.1 kHz WAV master candidate is available. Artwork, identifiers, release date, and project-level evidence remain on hold.

Preparing for releaseWorking release card: DIONIC feat. D.Rector — Ключ

DIONIC feat. D.Rector — “Ключ”

A 24-bit/48 kHz WAV master candidate is available. Metadata, artwork, identifiers, release date, and the delivery package are still being prepared.

Preparing for releaseWorking release card: Drime and Jaizy

Drime and Jaizy — working card

Audio and related video were found. The final title, metadata, identifiers, artwork, release date, and public status must be confirmed before release.

Partner handoff readiness

A track becomes a release only after the complete package is ready

Master and credits

The final audio version, exact artist spelling, writers, performers, producers, production participants, and agreed shares.

Rights and metadata

The basis for using the master, artwork, and promotion; explicit flag, language, genre, territories, date, ISRC/UPC, and UGC or Content ID settings.

Public launch

Approved artwork, description, photos, video, snippets, smart link, and an agreed publishing plan for the artist and platforms.

What “Preparing for release” means

The material exists in the working catalog and may be going through technical, editorial, metadata, and rights checks. The status does not mean that the release has already been published, delivered to a partner, or that master ownership has been asserted by the label.

If an artist already has a final master, MOTA can begin with a file and metadata audit. If the project starts with an idea or demo, the pathway may also include music production, studio recording, a visual system, and launch content.

  • Confirm the final audio version
  • Record contributors, roles, and shares
  • Approve artwork and promotional materials
  • Prepare the distribution metadata package

Catalog status

A public card does not replace the release rights register

The page presents working names, artist credits, card visuals, preparation status, and only public destinations separately approved for display. Master files, contracts, signatures, shares, payment details, correspondence, and service identifiers remain in the protected repository.

Before delivery

We verify the final master, metadata, writers, performers, producers, artwork, rights basis, territory, date, platforms, and required restrictions.

After delivery

We retain the delivered version, date, recipient, identifiers, platform feedback, and confirmation that any issue was resolved.

When details change

A revised title, artwork, audio file, metadata set, or status receives a separate record; the previous version is not presented as current.

MOTA releases and catalog work

Start by listening to the brief

Start by listening to the brief
Conceptual AI illustration. Fictional scene, not a photograph of an actual crew or venue.

Inputs

Prepare a demo, lyrics, tempo and a few annotated sound references. Mark what is approved and what may change: structure, arrangement, voice, instrumentation or duration. For a series, agree a consistent sound identity.

Working review

Before recording, check equipment, connections, quiet passages, headroom and performer comfort. Keep raw tracks separate from processed working versions. Review files should have clear names and dates.

Handoff

Check delivery against the agreed specification: master, alternate versions, stems and metadata. Confirm authors, performers and permitted uses before distribution. Preparing a project does not establish a confirmed release date.